Keegan wrote:I am interested in your statement, however, that nothing is inherently beautiful. Would you care to elaborate?
I believe that all things have physical or energetic properties.
You mention an example of a 'beautiful' looking woman in Halle Berry. But every aspect of her appearance has a mechanical explanation. We have been conditioned through evolutionary insticts - which are driven solely by the need to survive - to appreciate certain physical qualities as "attractive" or "beautiful", and by the processes of socialisation it in unacceptable not to conform with this.
But Halle Berry is a mammal of the same species as us. She is no more inherently beautiful than a hippo wading in shit or a fly defecating on a starving child. Any instincts you have that Halle Berry is beautiful are driven by nature's urges that you must procreate with an "attractive" mate, and Halle Berry is only considered an "attractive" specimen in our species because you grew up and live in a world where you were and are told and conditioned that certain physical qualities mark attractiveness; looking, sounding, smelling, feeling and tasting a certain way.
In George Orwell's novel, 'Nineteen Eighty Four', the protagonist, Winston Smith, stands in a window with his illicit lover, Julia, looking down upon an old, fat woman in a courtyard below, pegging out washing and singing a nonsensical song to herself. He says to Julia, "she's beautiful". Julia replies, "She must be a metre across the hips", to which Winston replies, "That is her style of beauty."
Up until a hundred years ago high art was only accessible to the rich. You had to be able to afford to go to for example the Louvre in Paris to see the actual Mona Lisa.
In the 1920s Walter Benjamin wrote an essay called "The Work of Art in the Age of Mechanical Reproduction". It was about how with the evolution of cheap printing and photography, decent quality copies of paintings, famous statues and so on, could be made and seen by even the poorest person. This was true.
Now, even a pauper could have 'the Mona Lisa experience'. But do you imagine that 200 years prior to this poor people had no concept of beauty? They simply ascribed beauty to different things within their grasp and in the fabric of their every day world.
The Mona Lisa did not raise the bar of beauty, the perception of which is entirely constructed relative to animal instincts and the prevailing society and culture which influences us all.